{"id":4010,"date":"2020-05-11T11:36:34","date_gmt":"2020-05-11T09:36:34","guid":{"rendered":"http:\/\/merianin.de\/?page_id=4010"},"modified":"2021-12-17T11:51:23","modified_gmt":"2021-12-17T10:51:23","slug":"stadt-der-kunst","status":"publish","type":"page","link":"https:\/\/merianin.de\/en\/home\/stadt-der-kunst\/","title":{"rendered":"City of Arts"},"content":{"rendered":"
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\n \n In Words and Pictures <\/span>\n \t\t\t\t\t

\n\t\t\t\tPAINTERS\u2019 ACADEMY AND ORDER OF FLOWERS\t\t\t<\/h2>\n\t\t\t\t\t<\/div>\n<\/div>
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During the years of economic boom after the end of the Thirty Years' War, Nuremberg attracted highly qualified specialists in the arts and crafts, who often settled there for good. They also helped to ensure the qualified training of the next generation. Thus in 1662 Jakob von Sandrart was able to establish the innovative painters\u2019 academy. His famous uncle, Joachim von Sandrart, who had already been active there as a painter during the Peace Congress, stayed on in Nuremberg permanently. One of the directors of the painters\u2019 academy was the \u201cFlachmaler\u201d (flat-panel painter), Johann Paul Auer, who taught Maria Sibylla and whose father, a wine merchant, had been the godfather and guardian of Johann Andreas.<\/p>\n

The term \"art\" must be understood in a very broad sense in Nuremberg. The \"art of language\" also belonged under this banner, as the example of the \"Pegnitz Order of Flowers\" shows. One of the earliest societies in the German-speaking world for the cultivation of the German language, it was founded in 1644 and still exists today. (1)<\/p>\n

At that time, people deplored not only the loss of many lives and material goods. Violence, pillage and crime had also brutalised people\u2019s manners and behaviour, and this was seen as a threat to urban culture. This is why educated people met in a \u201cpoets\u2019 grove\u201d on the banks of the River Pegnitz, west of Nuremberg, where they recited and shared their rhyming and non-rhyming texts in order to further a new linguistic culture. They wanted to avoid salutations involving the enumeration of lengthy titles, which normally would have been required due to class distinctions and so all members of the Order were given a fictitious name, usually that of a flower, together with a ribbon embroidered with that particular flower.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Ribbon of the Order belonging to this founder<\/em> (2)
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Ex-libris of \"Floridan\", founder of the \"Order of Flowers\" with two mottoes of the Order: \"All to the Glory of Heaven\"\/\"Singing Together to One Tune\"<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Even women were admitted to this association \u2013 almost as a matter of course (3) \u2013 and there were several corresponding members, who lived in other towns and cities, some of them far-away. Christoph Arnold, as number five, was one of the first members of this society; he was a teacher at the Egidien Grammar School, principal preacher at Our Lady\u2019s Church and owner of a fabulous private library. He was one of Maria Sibylla Merian\u2019s most important patrons and with his poems in the Caterpillar Books he supported the positive reception of her innovative works in Nuremberg civic society.<\/p>\n

In her books Maria Sibylla combined her pictures with the results of her research and created a synthesis, a \"Gesamtkunstwerk\". In the prefaces she emphasizes several times that all her work is done to the glory of God. Professor Arnold endorses this additional religious aspect through his linguistic artistry in poems like the \"Caterpillar Song\" in the first Caterpillar Book, especially in the concluding seventh verse: (4)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Raupen=lied<\/em><\/strong><\/h5>\n
Im Ton:<\/em>
\nJESU \/ der du meine Seele \/ etc.<\/em><\/h5>\n
7.<\/em>
\nLiebster GOTT \/ so wirst Du handeln<\/em>
\nauch mit uns \/ zu seiner Zeit;<\/em>
\nwie die Raupen sich verwandlen \/<\/em>
\ndie durch ihre Sterblichkeit \/<\/em>
\nwiederum lebendig werden \/<\/em>
\ngleich den Todten \/ in der Erden;<\/em>
\nLa\u00df mich armes W\u00fcrmelein<\/em>
\nDir alsdann befohlen seyn!<\/em><\/h5>\n
C. Arnold<\/em><\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div>\n\t
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Arnold even brings music into play, because above the verses it says: \"In the tune\", that means, \"In the melody of\". We are sure that the \u2018Caterpillar Song\u2019 could indeed be sung, because we have found the melody of the hymn \"Jesu, der du meine Seele\" [Jesus, Who My Soul] with notes as number 718 in a \"Nuremberg Songbook\" from 1676, (5) i.e., from the time when Merian lived in Nuremberg. We even know what it sounds like today, since a choir of employees from the Nuremberg city administration have recorded it on CD.<\/p>\n

At that time, art, research and faith were much more closely intertwined in Nuremberg city culture than they are today; and Merian's books are particularly vivid examples of this.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Notenblatt mit moderner Notenschrift (zum Herunterladen bitte anklicken)
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Raupenlied von Christoph Arnold abgedruckt im Ersten Raupenbuch von Maria Sibylla Merian<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Titelkupfer mit Stadtpanorama des N\u00fcrnbergischen Gesang-Buchs von Johannes Saubert, 1776<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Lied-Melodie von \u201eJesu \/ der Du meine Seele \u2026\u201c aus dem N\u00fcrnbergischen Gesangbuch<\/em><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

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Listen to the Caterpillar Song<\/a><\/strong><\/h4>\n<\/div>\n<\/div><\/div><\/div>
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  1. Website of the Pegnitz Order of Flowers: http:\/\/www.blumenorden.de\/index.php\/Geschichte<\/a><\/li>\n
  2. https:\/\/www.blumenorden.de\/geschichte\/<\/a> and Tschoeke (2008), p. 178f, image 47,48<\/li>\n
  3. In 1650, 13 out of 80 members were women (Helmut Wiegel, in: Jahrestagung Orangerien (Kun 2011), p. 107)<\/li>\n
  4. Gr\u00e4ffin, Maria Sibylla (MSM 1679), excerpt from the \u2018Caterpillar Song\u2019 (Raupenlied) by Christoph Arnold (title); StadtBN, Handschriftenabteilung, Sig. Med. 332.4\u00b0, 103, title and Stanza 7, cf. UBErl Handschriftenabteilung, Sig. H62 \/ Cim.P 38 (Digitalisat p. 104) and: http:\/\/sammlungen.ub.uni-frankfurt.de\/frankfurt\/content\/pageview\/4655884<\/a><\/li>\n
  5. N\u00fcrnberg Song Book and Little Christian Prayer Book, with a preface by Johann Saubert, N\u00fcrnberg 1676, p. 718<\/li>\n<\/ol>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"In Wort und Bild Malerakademie und Blumenorden In den Jahren des wirtschaftlichen Aufschwungs nach dem Ende des Drei\u00dfigj\u00e4hrigen Kriegs wurde N\u00fcrnberg attraktiv f\u00fcr den Zuzug hochqualifizierter Fachkr\u00e4fte in k\u00fcnstlerischen und kunsthandwerklichen Berufen, die oft auf Dauer blieben. Sie sorgten auch f\u00fcr eine qualifizierte Ausbildung von Nachwuchs. Jakob von Sandrart gr\u00fcndete 1662 sogar die [...]","protected":false},"author":2,"featured_media":0,"parent":23,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"footnotes":""},"class_list":["post-4010","page","type-page","status-publish","hentry"],"yoast_head":"\nStadt der Kunst - merianin.de<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/merianin.de\/en\/home\/stadt-der-kunst\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Stadt der Kunst - merianin.de\" \/>\n<meta property=\"og:url\" content=\"https:\/\/merianin.de\/en\/home\/stadt-der-kunst\/\" \/>\n<meta property=\"og:site_name\" content=\"merianin.de\" \/>\n<meta property=\"article:modified_time\" content=\"2021-12-17T10:51:23+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/merianin.de\/home\/stadt-der-kunst\/\",\"url\":\"https:\/\/merianin.de\/home\/stadt-der-kunst\/\",\"name\":\"Stadt der Kunst - 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